Comic Compositions

Been pumping out art for my comic and learning to better draw environments!

In my heart though, I'm in it for the characters. This surprisingly deviates from the comics watercolor style, but I felt it necessary for these pieces.

~Bleep Bloop~

Look Out for Monsters!

As the Announcer, it's my job to announce things.

Your job is to kill things. Go you!

Nothing good lies beyond this door.

Nothing but monsters!

I've been currently working on another mobile venture game with a group of friends. An RPG with a puzzle twist and lots of personality. These are but a few of many many monsters you will fight.

That's all I can share so far! Later!

~Bleep Bloop~

Amina with Marmoset Toolbag Revisited

Looking good Amina!

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Amina with Marmoset Toolbag

A small update, Marmoset Toolbag is pretty awesome!

~Bleep Bloop~

Portfolio: Human Hybrid

Model is based off Physiognomy Illustration

 

This piece is based off a Physiognomy illustration, this one is based off a cat and a human. It's appearance looks much like a hybrid of the two species. It's a bust piece focusing on realtime skin shading.

 

 

 

 

Rendered in UDK with Subsurface Scattering

 

 

Wireframe rendered in Viewport 2.0

 

Spec, Color, Normals, Subsurface Absorption Maps (2048x2048)

 

Color Map with Alpha (512x512)

 

~Bleep Bloop~

 

Portfolio 2: Civilians

 

So I created the base meshes for our civilians for Grapple. The rest is going to rely on texturing. They'll be running around, spawning and despawning. There is still some fiddling to do but here is what I've gotten.

 

Civilian Models rendered in UDK Engine

Wireframe rendered in Viewport 2.0

 

We wanted to keep them under 3000 tris and make switchable parts. The textures are 512x512 and I tried making the clothing textures use the same basic shading and have switchable colorings. Details would be added on. 

 

 

 

~Bleep Bloop~

Portfolio: Gooey, my boy!

The Rarest of Super Smash Bros. Trophies

For my first portfolio piece for the summer I recreated a rare Nintendo Kirby character that I anthropomorphized, into 3D, Gooey, a little alien boy with a body that's practically boneless. I wanted to create a cartoon character model with an Nintendo-esque approach but I also wanted him prepared for a Super Smash Bros. universe brawling. So I referenced off a number of Nintendo texturing methods and modeling but had to consider the flexibility needed for his bendy, squash, and stretch animations to be captured just right.

Click or Right Click to Open New Window to Full-View.

Model Rendered in Viewport 2.0

Wireframe Rendered in Viewport 2.0

Final Model Rendered in Viewport 2.0

Color Textures

Normals Textures and Specular Texture

There were new challenges to overcome despite his simple appearance and it gave me time to work in UDK to see him in-game. I would not have been able to pose him without making a skeleton for his body and cape. I used the IK spline tool for his arms and tongue and smooth binded controller joints to the curve it created.
In UDK I introduced myself to the material editor. It wanted it to read the alpha that had a falloff but it seems UDK has it's limits. I wanted to capture the Fresnel appearance that I had in Maya and I think I got close.

Final In-Game Model

I also got myself acquainted to kismet to create a turntable animation. Tutorial Here

This was definitely an educational piece and I'm glad to have gotten so much out of it.

~Bleep Bloop~